Page 68 - Koi Net - On-Line Koi Magazine - Issue 30
P. 68

KEITH SIDDLE,


                                                                                                                 KOI PAINTING

                                                                                                                 COMMISSION PROCESS










                                                                                                                 Following Koi Net’s feature in Issue 26 (pages 36 - 45)
       James Mackey’s Koi.                   Initial A4 pencil sketch.
                                                                                                                 on the internationally renowned Koi Artist Keith Siddle,
                                                                                                                 here we showcase how Keith created a commissioned
                                                                                                                 painting of James Mackey’s excellent collection of Koi.
                                                                                                                 The Commission process is a lengthy one, with
                                                                                                                 patience required by both the Artist and client – but
                                                                                                                 good things are worth waiting for!

                                                                                                                 Once the size (in this case approx. 30" × 40") and price
                                                                                                                 of the painting was agreed, James emailed Keith a
                                                                                                                 selection of photos of the Koi he wanted featured. Keith
                                                                                                                 then created an initial A4 pencil sketch, before emailing
                                                                                                                 it to James. James suggested some changes to the
                                                                                                                 design, so Keith designed a second A4 sketch, labelling
                                                                                                                 the Koi varieties. This second design was good – but
       2nd A4 pencil sketch.                 3rd A4 pencil sketch.                                               not quite right for what James wanted, the small
                                                                                                                 Yamabuki Ogon needed to be replaced by his Gin Rin
                                                                                                                 Showa and the Kumonryu added to the top of the
                                                                                                                 painting. James loved the design!
                                                                                                                 With both parties happy with the sketched design,
                                                                                                                 Keith painted an A4 watercolour version to check the
                                                                                                                 colours worked well. James had requested a black
                                                                                                                 background for his painting, which really makes the
                                                                                                                 Koi’s vibrant colours stand out, but it meant the mainly
                                                                                                                 black Kumonryu was a little lost, so Keith agreed to
                                                                                                                 replace it with the Koromo (keeping the movement of
                                                                                                                 the Kumonryu) and added the Goshiki.
                                                                                                                 James was thrilled with the colour and variety
                                                                                                                 combination so Keith ‘scaled’ up the design on paper
       1st A4 watercolour including the Kumonryu.  2nd A4 watercolour changing the Kumonryu                      to the same size of the commissioned canvas, then
                                             to Kujaku and Kujaku to Goshiki.
                                                                                                                 sent the image to James for confirmation or changes to
                                                                                                                 the Koi’s body shapes, etc.
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